Using the ancient technique of encaustic, a Greek word meaning “to burn in” Tamera Abaté creates images sometimes with as many as 30 layers of beeswax, tree sap and pigment. With the heat from a propane torch she allows shapes to arise organically within specific fields of color. As the wax and pigments merge to form a single entity there is a visible push and pull of energy allowing the life-force of the materials to enter the each painting.
Raised under the vast open sky and ever-changing tapestry of wheat fields in Eastern Washington, she responds to the dynamic of the horizon line separating yet pairing fields of color. With these methods she produces a tangible record of her experiences as an explorer and student of her surroundings. Her journeys abroad and fascination with the fluidity of the sea are evident in her current body of work.
Abaté presently concentrates on encaustic painting, but has also worked in mixed media, oils and clay. She works full time as an artist in her home studio in the mountains of North Central Washington and is represented by several galleries. She exhibits her work in group and solo shows. Abaté’s artwork is held in private collections both national and international, and her work has been published in books and magazines.
Viewers are drawn to the rich textures and colors through the deeply felt layers of experience that are apparent in the inward workings of the images she creates. There is a studied awe imbued in her work that she seeks to share with her viewers as she continues to find inspiration in the natural world.
